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AI AUDIO GENERATION & PRODUCTION
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Create narration, character dialogue, sound effects and ambience from text. Preview and arrange clips into podcasts or audio stories, then export WAV, MP3 or a ZIP of clips.
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FOLEYIX / SOUND IN MOTION
A world, waiting to be heard.
01 — FROM SCRIPT TO SOUNDVOICES · SCENES · STORIES
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Generate and review your audio one clip at a time. Choose the versions you want, then arrange and export an episode of up to 30 minutes.
GENERATED AUDIO SAMPLESound scene
An Answer Before the Rain Stops
A breathless man and a surprised, trembling woman find a clear answer through a rain-soaked confession.
- Sincerity through breathlessness
- Trembling turning firm
- Heavy rain and distant thunder
- Two-person audio drama
0:00 / 0:35
One continuous generation · play without signing up
Read the original prompt
An English audio drama, about 30 seconds. Fictional Miles, male 27, breathless after a run, drenched and sincere; Wren, female 25, first surprised and trembling, then warm and firm. Heavy rain beneath dialogue, one distant low thunder roll, no music. Keep both voices fixed and foreground words clear. Speak only quoted lines, not names or directions. Finish the scene in order.
Miles: "Wren, wait. I practised this, but I must say it here. I want to be someone you share tomorrow with."
Wren: "You can barely breathe. Why wait so long?"
Miles: "I feared your answer. Now I fear not asking."
Wren: "Then hear me. Yes. Come under the roof. We can wait for the rain together."Generate & listen
Listen to pronunciation, pacing and sounds. Edit your script or directions, then compare the new version with the earlier one.
Arrange & export
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SMALL SOUNDS. WHOLE WORLDS.
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Open a template to draft podcast dialogue, an audio story, or sound effects and ambience.
“”
Turn a script into dialogue.
Create synthetic hosts from text, generate scripted dialogue in clips, then arrange an episode.
AUDIO STORIES
Give your story voices.
Write narration and character lines, describe the setting, then generate and review each scene.
SOUND & ATMOSPHERE
Describe the sound you need.
Describe footsteps, rain or background ambience. Generate a sound clip to use in your project.
FEATURE GUIDES
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Learn how to generate audio from text, create synthetic character voices and arrange podcast clips. Each guide explains the workflow and its limits.
Audio generation from scripts and sound prompts.
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GENERATED AUDIO SAMPLES
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Stories & narrationEnglish
The First Photo by the Window
A three-voice café story pairs a calm narrator, a bright direct friend and a quiet young photographer facing a first submission.
- Three consistent roles
- Contrasting young female delivery
- Rain and cup detail
- Hesitation growing into courage
Listen1:10 actual duration
One continuous generation · Prompt requested 1:15
Original promptGeneration rate：1×
An English fiction scene, about 75 seconds, in an early winter café. Soft rain taps the window; an occasional cup touches its saucer. Keep ambience beneath voices, no music. Three fictional voices: Narrator, female 29, calm, thoughtful, a trace of wistfulness; June, female 22, bright, direct and brisk; Iris, female 22, gentle, reserved and slower. Keep every voice fixed. Speak only the quoted lines, never labels or directions. Perform the full scene in order, with a clear ending. Narrator: "Rain turned the café window pale grey. Iris pushed a photo to the edge of the table, then drew it back. June rested a hand on the paper." June: "You caught the wind in this one. Now put your own name beside it." Iris: "The form asks why I took it. Every answer sounds like an apology." June: "Say the curtain rose that morning. It had nothing to prove. Neither do you." Narrator: "A cup touched its saucer. Iris looked at the bright curtain in the picture and turned her phone towards herself." Iris: "What if they do not choose it?" June: "We take more photos next week. But let someone see this one first." Narrator: "Iris kept the date and pressed send. The rain went on. Her picture had stepped outside."
View the full prompt
An English fiction scene, about 75 seconds, in an early winter café. Soft rain taps the window; an occasional cup touches its saucer. Keep ambience beneath voices, no music. Three fictional voices: Narrator, female 29, calm, thoughtful, a trace of wistfulness; June, female 22, bright, direct and brisk; Iris, female 22, gentle, reserved and slower. Keep every voice fixed. Speak only the quoted lines, never labels or directions. Perform the full scene in order, with a clear ending.
Narrator: "Rain turned the café window pale grey. Iris pushed a photo to the edge of the table, then drew it back. June rested a hand on the paper."
June: "You caught the wind in this one. Now put your own name beside it."
Iris: "The form asks why I took it. Every answer sounds like an apology."
June: "Say the curtain rose that morning. It had nothing to prove. Neither do you."
Narrator: "A cup touched its saucer. Iris looked at the bright curtain in the picture and turned her phone towards herself."
Iris: "What if they do not choose it?"
June: "We take more photos next week. But let someone see this one first."
Narrator: "Iris kept the date and pressed send. The rain went on. Her picture had stepped outside."Dialogue & podcastsEnglish
Tangent Trips · One Stop Early
Two fictional hosts turn a rainy detour into a travel story, with animated narration, quick responses and an easy joke.
- Low textured male voice
- Mature female responses
- Surprise and light laughter
- A complete travel interview
Listen2:02 actual duration
One continuous generation · Prompt requested 2:00
Original promptGeneration rate：0.75×
Create one complete English travel podcast episode, about 120 seconds, within the 240-second podcast maximum. Fixed fictional hosts: Owen, male 34, low lightly raspy voice, clear words and lively storytelling; Leah, female 27, mature slightly husky lower register, quick warm replies. Take natural turns without overlap. Owen shows mild surprise; Leah gives one brief laugh. Dry studio sound, no music or ambience. Speak only the quoted lines, not names or directions. Read the full dialogue once, in order, through the final line. No added ending or repeated sections. Owen: "Welcome to Tangent Trips. I am Owen. Leah, our plan for a clear day became a walk in the rain. Where did it start to go wrong?" Leah: "One stop early. You liked the sound of the tram stop's name, so we got off. Then you put the map away before we had even crossed the road." Owen: "Fair. We meant to see a lighthouse. Instead, we found a small market lane. When rain began, a woman waved us under her stall and gave us two tiny stools." Leah: "You still asked which way the lighthouse was. I smelled warm pears on a little iron stove. That seemed like a good place to start." Owen: "She turned them slowly. I never thought my clearest travel memory would be a pear with split skin and a soft cloud of steam." Leah: "Your phone lens was wet, too. Once you put it away, you noticed a child drawing a boat around a puddle's reflection." Owen: "I did. We try so hard to bring home a fine view that we can miss a fine person. Did we ever reach that lighthouse?" Leah: "No. The woman showed us a path by the river. We walked past old trees as the sky grew bright. No stops to tick off." Owen: "So leave a little time to take a wrong turn. A trip need not finish every task on the map." Leah: "This was Tangent Trips. May your next wrong turn give you a road worth walking slowly."
View the full prompt
Create one complete English travel podcast episode, about 120 seconds, within the 240-second podcast maximum. Fixed fictional hosts: Owen, male 34, low lightly raspy voice, clear words and lively storytelling; Leah, female 27, mature slightly husky lower register, quick warm replies. Take natural turns without overlap. Owen shows mild surprise; Leah gives one brief laugh. Dry studio sound, no music or ambience. Speak only the quoted lines, not names or directions. Read the full dialogue once, in order, through the final line. No added ending or repeated sections.
Owen: "Welcome to Tangent Trips. I am Owen. Leah, our plan for a clear day became a walk in the rain. Where did it start to go wrong?"
Leah: "One stop early. You liked the sound of the tram stop's name, so we got off. Then you put the map away before we had even crossed the road."
Owen: "Fair. We meant to see a lighthouse. Instead, we found a small market lane. When rain began, a woman waved us under her stall and gave us two tiny stools."
Leah: "You still asked which way the lighthouse was. I smelled warm pears on a little iron stove. That seemed like a good place to start."
Owen: "She turned them slowly. I never thought my clearest travel memory would be a pear with split skin and a soft cloud of steam."
Leah: "Your phone lens was wet, too. Once you put it away, you noticed a child drawing a boat around a puddle's reflection."
Owen: "I did. We try so hard to bring home a fine view that we can miss a fine person. Did we ever reach that lighthouse?"
Leah: "No. The woman showed us a path by the river. We walked past old trees as the sky grew bright. No stops to tick off."
Owen: "So leave a little time to take a wrong turn. A trip need not finish every task on the map."
Leah: "This was Tangent Trips. May your next wrong turn give you a road worth walking slowly."Dialogue & podcastsEnglish
Room at the Table · Small Things to Share
A warm textured host and a clear soft guest discuss a small meal, asking for company and making room for family.
Finished audio note: The original prompt requested about four minutes. This complete take measures 2:45.76 and is shown at its actual duration.
- Two distinct female voices
- Restrained emotion and breath
- A gentle family conversation
- A full opening, development and close
Listen2:45 actual duration
One continuous generation · Prompt requested 4:00
Original promptGeneration rate：0.5×
Create one complete English family podcast episode, target 240 seconds, with the 240-second podcast maximum. Fictional host Lena, female 30, warm slightly husky voice; guest Mina, female 25, clear soft voice. Keep their voices distinct and fixed. Gentle natural turns, a restrained breath from Lena and one small Mina laugh. No music, ambience or long silence. Only speak the quoted dialogue; names and directions are silent. Perform the full script once, in order, ending at its single final line. Do not add another goodbye or repeat a section. Lena: "Welcome to Room at the Table. I am Lena. Mina, you said the thing you missed at home was a small empty bowl. Tell me about it." Mina: "Dad leaves one by the stove when I come back late. He does not ask when I will arrive. There is just a little soup left, and a place for me." Lena: "Did you tell him you noticed? We praise a good meal out, yet the small things at home can pass without a word." Mina: "This time I said the soup was warm. He said he had used too much salt. Then he asked what I wanted the next day." Lena: "He turned your thanks into another meal. What did you ask for?" Mina: "A walk to the market together. I wanted to see his usual stall, and to see him somewhere other than the kitchen." Lena: "That is a small, clear invitation. You need not plan a whole day or solve every old worry. What did you talk about?" Mina: "Cabbage prices first. Then how he chose a ripe melon as a boy. He laughed because I could not tell which one was ready. He let me carry one bag, not both. I liked that we each had a small job on the walk." Lena: "So there was room for a laugh before a hard thing. Did that make the walk feel different?" Mina: "Yes. At home I said work had been rough, and I just wanted someone to eat with. He moved the little bowl closer." Lena: "You did not have to bring good news to earn your place. Was the bowl still empty then?" Mina: "No. I poured soup for us both. We sat, had a sip, and talked. I could stop trying to look as if every part of life was fine." Lena: "This was Room at the Table, where a little room is enough for two."
View the full prompt
Create one complete English family podcast episode, target 240 seconds, with the 240-second podcast maximum. Fictional host Lena, female 30, warm slightly husky voice; guest Mina, female 25, clear soft voice. Keep their voices distinct and fixed. Gentle natural turns, a restrained breath from Lena and one small Mina laugh. No music, ambience or long silence. Only speak the quoted dialogue; names and directions are silent. Perform the full script once, in order, ending at its single final line. Do not add another goodbye or repeat a section.
Lena: "Welcome to Room at the Table. I am Lena. Mina, you said the thing you missed at home was a small empty bowl. Tell me about it."
Mina: "Dad leaves one by the stove when I come back late. He does not ask when I will arrive. There is just a little soup left, and a place for me."
Lena: "Did you tell him you noticed? We praise a good meal out, yet the small things at home can pass without a word."
Mina: "This time I said the soup was warm. He said he had used too much salt. Then he asked what I wanted the next day."
Lena: "He turned your thanks into another meal. What did you ask for?"
Mina: "A walk to the market together. I wanted to see his usual stall, and to see him somewhere other than the kitchen."
Lena: "That is a small, clear invitation. You need not plan a whole day or solve every old worry. What did you talk about?"
Mina: "Cabbage prices first. Then how he chose a ripe melon as a boy. He laughed because I could not tell which one was ready. He let me carry one bag, not both. I liked that we each had a small job on the walk."
Lena: "So there was room for a laugh before a hard thing. Did that make the walk feel different?"
Mina: "Yes. At home I said work had been rough, and I just wanted someone to eat with. He moved the little bowl closer."
Lena: "You did not have to bring good news to earn your place. Was the bowl still empty then?"
Mina: "No. I poured soup for us both. We sat, had a sip, and talked. I could stop trying to look as if every part of life was fine."
Lena: "This was Room at the Table, where a little room is enough for two."Stories & narrationEnglish
Saving Saturday on the Roof
Two longtime friends on a rooftop reclaim an ordinary Saturday, contrasting a tired low voice with a bright optimistic one.
Finished audio note: The original take includes about 11 seconds of very quiet audio after the spoken closing, retained in full.
- Distinct men of the same age
- Weariness easing into humor
- City hum and evening wind
- A small can clink
Listen1:13 actual duration
One continuous generation · Prompt requested 1:00
Original promptGeneration rate：1×
An English fiction scene, about 60 seconds, on a residential roof at night. Low distant city hum, soft wind, one light drink-can clink; no music. Fictional Narrator, female 30, calm and rich with story; Ben, male 28, low, tired, sincere and slower; Cal, male 28, full, bright, optimistic and brisk. Keep each voice consistent. Clear turns. Only speak quoted lines, not labels or instructions. All nine quoted lines below are spoken literary text, including all three Narrator lines. The Narrator is the third speaker and must voice each of her lines in full, not treat them as silent action directions. Perform all nine lines once, in order, with the assigned voices and no omitted turns. After the last Narrator line, let the ambience settle briefly and end. Narrator: "Wind crossed the roof. Ben found an old photo of his dusty guitar, then dimmed his phone." Ben: "I have meant to learn that tune for three months. Each night I get home and think, tomorrow." Cal: "Give me ten minutes on Saturday. One wrong note will not scare me away." Ben: "You used to laugh at every wrong note. Now I check messages even after work." Narrator: "Cal set his phone to silent. Its small light faded, and for a moment the wide city seemed to leave them one quiet corner." Cal: "This message needs no reply. I bring the guitar. You open the door." Ben: "And after ten minutes?" Cal: "We play, or we talk. First, we get Saturday back." Narrator: "The cans touched. For once, the small plan felt near."
View the full prompt
An English fiction scene, about 60 seconds, on a residential roof at night. Low distant city hum, soft wind, one light drink-can clink; no music. Fictional Narrator, female 30, calm and rich with story; Ben, male 28, low, tired, sincere and slower; Cal, male 28, full, bright, optimistic and brisk. Keep each voice consistent. Clear turns. Only speak quoted lines, not labels or instructions. All nine quoted lines below are spoken literary text, including all three Narrator lines. The Narrator is the third speaker and must voice each of her lines in full, not treat them as silent action directions. Perform all nine lines once, in order, with the assigned voices and no omitted turns. After the last Narrator line, let the ambience settle briefly and end.
Narrator: "Wind crossed the roof. Ben found an old photo of his dusty guitar, then dimmed his phone."
Ben: "I have meant to learn that tune for three months. Each night I get home and think, tomorrow."
Cal: "Give me ten minutes on Saturday. One wrong note will not scare me away."
Ben: "You used to laugh at every wrong note. Now I check messages even after work."
Narrator: "Cal set his phone to silent. Its small light faded, and for a moment the wide city seemed to leave them one quiet corner."
Cal: "This message needs no reply. I bring the guitar. You open the door."
Ben: "And after ten minutes?"
Cal: "We play, or we talk. First, we get Saturday back."
Narrator: "The cans touched. For once, the small plan felt near."Stories & narrationEnglish
A Lamp Among the Boxes
On the eve of a move, two women use a joke to soften goodbye, with cardboard and tape around gentle and outgoing voices.
- Gentle and outgoing women
- Emotion settling after a joke
- Cardboard and tape texture
- A complete small story
Listen1:00 actual duration
One continuous generation · Prompt requested 1:00
Original promptGeneration rate：1×
An English fiction scene, about 60 seconds, in a shared living room before a move. Quiet cardboard knocks and one short pull of packing tape; no music. Fictional Narrator, female 28, warm and wistful; Nora, female 25, gentle, reluctant and slower; Tess, female 25, bright, loyal and quicker. Fixed voices. Speak only quoted lines, not names or instructions. A small laugh, no overlapping dialogue. All nine quoted lines below are spoken literary text, including all three Narrator lines. The Narrator is the third speaker and must voice each of her lines in full, not treat them as silent action directions. Perform all nine lines once, in order, with the assigned voices and no omitted turns. After the last Narrator line, let the ambience settle briefly and end. Narrator: "One lamp stood among the boxes. Nora set it where its light fell on the tape in Tess's hands." Nora: "Keep it here. When you come back alone, the door can still have a little light." Tess: "Then I must dust the shade, or you will notice next time." Nora: "I will not check. Just remember the little plant needs water." Narrator: "Tess let out a small laugh beneath the lamplight. The tape was ready, but the box remained open, as if she could hold this evening a little longer." Tess: "I keep the plant. Bring a new cup next month. We can have tea here." Nora: "Will I feel like a guest?" Tess: "Guests have no spare slippers. Yours stay by the door." Narrator: "The box was sealed. The lamp stayed on. Some things did not need to move."
View the full prompt
An English fiction scene, about 60 seconds, in a shared living room before a move. Quiet cardboard knocks and one short pull of packing tape; no music. Fictional Narrator, female 28, warm and wistful; Nora, female 25, gentle, reluctant and slower; Tess, female 25, bright, loyal and quicker. Fixed voices. Speak only quoted lines, not names or instructions. A small laugh, no overlapping dialogue. All nine quoted lines below are spoken literary text, including all three Narrator lines. The Narrator is the third speaker and must voice each of her lines in full, not treat them as silent action directions. Perform all nine lines once, in order, with the assigned voices and no omitted turns. After the last Narrator line, let the ambience settle briefly and end.
Narrator: "One lamp stood among the boxes. Nora set it where its light fell on the tape in Tess's hands."
Nora: "Keep it here. When you come back alone, the door can still have a little light."
Tess: "Then I must dust the shade, or you will notice next time."
Nora: "I will not check. Just remember the little plant needs water."
Narrator: "Tess let out a small laugh beneath the lamplight. The tape was ready, but the box remained open, as if she could hold this evening a little longer."
Tess: "I keep the plant. Bring a new cup next month. We can have tea here."
Nora: "Will I feel like a guest?"
Tess: "Guests have no spare slippers. Yours stay by the door."
Narrator: "The box was sealed. The lamp stayed on. Some things did not need to move."Sound scenesEnglish
An Answer Before the Rain Stops
A breathless man and a surprised, trembling woman find a clear answer through a rain-soaked confession.
- Sincerity through breathlessness
- Trembling turning firm
- Heavy rain and distant thunder
- Two-person audio drama
Listen0:35 actual duration
One continuous generation · Prompt requested 0:30
Original promptGeneration rate：1×
An English audio drama, about 30 seconds. Fictional Miles, male 27, breathless after a run, drenched and sincere; Wren, female 25, first surprised and trembling, then warm and firm. Heavy rain beneath dialogue, one distant low thunder roll, no music. Keep both voices fixed and foreground words clear. Speak only quoted lines, not names or directions. Finish the scene in order. Miles: "Wren, wait. I practised this, but I must say it here. I want to be someone you share tomorrow with." Wren: "You can barely breathe. Why wait so long?" Miles: "I feared your answer. Now I fear not asking." Wren: "Then hear me. Yes. Come under the roof. We can wait for the rain together."
View the full prompt
An English audio drama, about 30 seconds. Fictional Miles, male 27, breathless after a run, drenched and sincere; Wren, female 25, first surprised and trembling, then warm and firm. Heavy rain beneath dialogue, one distant low thunder roll, no music. Keep both voices fixed and foreground words clear. Speak only quoted lines, not names or directions. Finish the scene in order.
Miles: "Wren, wait. I practised this, but I must say it here. I want to be someone you share tomorrow with."
Wren: "You can barely breathe. Why wait so long?"
Miles: "I feared your answer. Now I fear not asking."
Wren: "Then hear me. Yes. Come under the roof. We can wait for the rain together."FREE TRIAL & MONTHLY PLANS
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Open the sound studio5 one-time generation minutes · Simple workspace · 1 active task · WAV downloads · 200 MB · saved for 7 days
Listen to samples and draft without signing up. Generate audio after account verification. Free accounts use the simple workspace; every paid plan also unlocks professional projects and episode exports.
Both workspaces share generation minutes, queue capacity and storage. Listening to and downloading existing audio use no generation time.
Creator
For occasional episodes and your first complete story.
First month · new subscriptions only
$1.90/ first month
From month 2: $19.90 / month, renews automatically
60 generated audio minutes / month
33.17¢ USD / generated minute at the standard monthly price
A simple place to begin.
View plans in your account- Simple + professional workspaces
- 2 active generation tasks
- 20 episode exports / month
- 10 projects
- 500 MB private storage
- WAV · MP3 · Clip ZIP
Studio
RecommendedFor a steady publishing rhythm, with room to explore versions.
First month · new subscriptions only
$9.90/ first month
From month 2: $49.90 / month, renews automatically
180 generated audio minutes / month
27.72¢ USD / generated minute at the standard monthly price
Best standard price per minute. 3× Creator’s generation time.
View plans in your account- Simple + professional workspaces
- 5 active generation tasks
- 60 episode exports / month
- 30 projects
- 1 GB private storage
- WAV · MP3 · Clip ZIP
Ultra
High volumeFor batch creation and a larger audio catalogue.
First month · new subscriptions only
$99.00/ first month
From month 2: $169.90 / month, renews automatically
600 generated audio minutes / month
28.32¢ USD / generated minute at the standard monthly price
600 generation minutes and 5 GB for high-volume production.
View plans in your account- Simple + professional workspaces
- 10 active generation tasks
- 200 episode exports / month
- 100 projects
- 5 GB private storage
- WAV · MP3 · Clip ZIP
Audio generates in the background. Open Tasks to review progress and saved results, even after closing the page. Queue capacity is shared across projects and character samples; queued and running jobs count. Completed, failed and unknown-result jobs release their slots. Unknown results are not automatically regenerated.
You only use time when new audio is saved.
Actual duration is counted to the second, including character samples, sound effects and new versions. We reserve the maximum clip duration when a job starts, then release the difference when it finishes. Failed jobs do not consume time.
Listening, downloading and reusing an existing version do not consume generation time. Generation minutes include all new versions, so they are not a promise of finished episode length. For example, two one-minute versions use two minutes even if you keep only one.
The first-month offer is for a first paid subscription only, once per account. From month 2, the standard monthly price applies until you cancel renewal. Upgrades, returning subscribers and renewals use standard prices. USD base-price comparisons are shown above. Paddle supplies your USD price and applicable regional taxes before payment. Unused minutes do not roll over. There are no automatic overage charges. How limits work